Short Projects



Dead vase
Dead vase
Dead vase
Year
'21-24
Supervisor
-
Production
Dachi-Giorgi
Year
'21-24
Supervisor
-
Production
Dachi-Giorgi
Year
'21-24
Supervisor
-
Production
Dachi-Giorgi
Selection of projects done maximum in 72 hours
Selection of projects done maximum in 72 hours
Selection of projects done maximum in 72 hours
© Short Projects
© Short Projects
© Short Projects















Challenge
To bring together works that question how we inhabit, rebuild, and remember spaces. From ruined structures reimagined as moss-filled forms to chairs assembled from street fragments, the projects transform remnants of the urban landscape into living, symbolic artifacts.
Other works address fragile ecologies and political realities — a vase that celebrates the beauty of withered plants, a piece reflecting Georgia’s shifting borders, and speculative prosthetics inspired by animal biomechanics. Together they explore how design can merge survival, memory, and material experimentation into new ways of seeing the everyday.
Challenge
To bring together works that question how we inhabit, rebuild, and remember spaces. From ruined structures reimagined as moss-filled forms to chairs assembled from street fragments, the projects transform remnants of the urban landscape into living, symbolic artifacts.
Other works address fragile ecologies and political realities — a vase that celebrates the beauty of withered plants, a piece reflecting Georgia’s shifting borders, and speculative prosthetics inspired by animal biomechanics. Together they explore how design can merge survival, memory, and material experimentation into new ways of seeing the everyday.
Challenge
To bring together works that question how we inhabit, rebuild, and remember spaces. From ruined structures reimagined as moss-filled forms to chairs assembled from street fragments, the projects transform remnants of the urban landscape into living, symbolic artifacts.
Other works address fragile ecologies and political realities — a vase that celebrates the beauty of withered plants, a piece reflecting Georgia’s shifting borders, and speculative prosthetics inspired by animal biomechanics. Together they explore how design can merge survival, memory, and material experimentation into new ways of seeing the everyday.
Creative Practice
Creative Practice
Creative Practice