
Le Témoin / The Witness



The Witness
The Witness
The Witness
Year
'23
Supervisor
Mousee du Louvre
Production
Dachi-GIorgi
Year
'23
Supervisor
Mousee du Louvre
Production
Dachi-GIorgi
Year
'23
Supervisor
Mousee du Louvre
Production
Dachi-GIorgi
Regards du Louvre - Mykki Blanco et Dachi-Giorgi Garuchava, Le Témoin
Regards du Louvre - Mykki Blanco et Dachi-Giorgi Garuchava, Le Témoin
Regards du Louvre - Mykki Blanco et Dachi-Giorgi Garuchava, Le Témoin
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© Le Témoin / The Witness
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© Le Témoin / The Witness
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Film

Vision
Within this legendary institution, we have assembled a volume reflecting nostalgia, time, and humanity’s relationship with infinity. It embodies both bourgeois tradition and revolutionary change—a space of power, contradiction, and cultural tension. Here, I seek a clearer view of myself and my community, navigating identity through character and drama, and wondering if I might, in time, become one with the Louvre.
Film

Vision
Within this legendary institution, we have assembled a volume reflecting nostalgia, time, and humanity’s relationship with infinity. It embodies both bourgeois tradition and revolutionary change—a space of power, contradiction, and cultural tension. Here, I seek a clearer view of myself and my community, navigating identity through character and drama, and wondering if I might, in time, become one with the Louvre.
Film

Vision
Within this legendary institution, we have assembled a volume reflecting nostalgia, time, and humanity’s relationship with infinity. It embodies both bourgeois tradition and revolutionary change—a space of power, contradiction, and cultural tension. Here, I seek a clearer view of myself and my community, navigating identity through character and drama, and wondering if I might, in time, become one with the Louvre.
Gossip Stone
Invasive Modification
Gossip Stone
Invasive Modification
Gossip Stone
Invasive Modification