Le Témoin / The Witness

The Witness

The Witness

The Witness

Year

'23

Supervisor

Mousee du Louvre

Production

Dachi-GIorgi

Year

'23

Supervisor

Mousee du Louvre

Production

Dachi-GIorgi

Year

'23

Supervisor

Mousee du Louvre

Production

Dachi-GIorgi

Regards du Louvre - Mykki Blanco et Dachi-Giorgi Garuchava, Le Témoin

Regards du Louvre - Mykki Blanco et Dachi-Giorgi Garuchava, Le Témoin

Regards du Louvre - Mykki Blanco et Dachi-Giorgi Garuchava, Le Témoin

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© Le Témoin / The Witness

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© Le Témoin / The Witness

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© Le Témoin / The Witness

Film

Vision

Within this legendary institution, we have assembled a volume reflecting nostalgia, time, and humanity’s relationship with infinity. It embodies both bourgeois tradition and revolutionary change—a space of power, contradiction, and cultural tension. Here, I seek a clearer view of myself and my community, navigating identity through character and drama, and wondering if I might, in time, become one with the Louvre.

Film

Vision

Within this legendary institution, we have assembled a volume reflecting nostalgia, time, and humanity’s relationship with infinity. It embodies both bourgeois tradition and revolutionary change—a space of power, contradiction, and cultural tension. Here, I seek a clearer view of myself and my community, navigating identity through character and drama, and wondering if I might, in time, become one with the Louvre.

Film

Vision

Within this legendary institution, we have assembled a volume reflecting nostalgia, time, and humanity’s relationship with infinity. It embodies both bourgeois tradition and revolutionary change—a space of power, contradiction, and cultural tension. Here, I seek a clearer view of myself and my community, navigating identity through character and drama, and wondering if I might, in time, become one with the Louvre.

Gossip Stone

Invasive Modification

Gossip Stone

Invasive Modification

Gossip Stone

Invasive Modification